AS I LEARN MY WAY around Chicagoland, one spot has become a semi-regular stop—the Art Institute of Chicago.
The last time I was there, one painting in particular jumped out at me—Chagall's White Crucifixion (1938). There's a couple of elements in this painting that have kept me thinking about it:
The first is the juxtaposition of the central figure—Jesus on the cross—with the surrounding images of Jewish oppression (from all over: Nazi Germany, Lithuania, and communists in Russia). Jesus the suffering Jew is thus shown to be in solidarity with the suffering Jews of history.
The last time I was there, one painting in particular jumped out at me—Chagall's White Crucifixion (1938). There's a couple of elements in this painting that have kept me thinking about it:
The first is the juxtaposition of the central figure—Jesus on the cross—with the surrounding images of Jewish oppression (from all over: Nazi Germany, Lithuania, and communists in Russia). Jesus the suffering Jew is thus shown to be in solidarity with the suffering Jews of history.