09 November 2011

God Is Against Us, After All

[This is part five in what I'm thinking will be an eight-part series.]

God is indeed against us. And how could it be other? In the face of genocide in Europe, Russia, Africa, the Balkans, or the south side of Chicago (for that matter), of child prostitution in southeast Asia, of the killing of untold millions on various battlefields of this earth — just in the last century, one cannot forever presume upon the kindness and mercy of God (once again, see Rom. 2:4).

One hardly needs to make the case that God is holy and just, that is, perfect and fair. His holiness is incomparable—no other gods even come close (Ex. 15:11). His throne room occupies the highest penthouse one can imagine (Isa. 57:15). And just like anything else that can be said about God, he doesn’t simply act holy or just, he is himself holy and just (Deut. 32:4). Given all this, surely he couldn’t be considered perfect and fair if he turned a blind eye to all the atrocities mentioned above. His faithfulness depends on it.

But it’s all too easy to point the finger at the likes of Auschwitz or Hiroshima. We’d do well to remember that we’ve all added to this mess. From the time of the disobedience and fall of Adam and Eve, sinfulness has been bequeathed to all their heirs (however that was done), and all their heirs have contributed their own share to it (Rom. 5:12). None of us escape this problem, at least not on our own.

We all reenact the same sin of the first pair too. In the garden, an open, honest and loving relationship with the creator was rejected for the supposed pleasure of making their own rules. It was a failed grasp at autonomy, to do things according to their own agenda, not God’s. In so doing, Adam and Eve betrayed their confusion: they thought they were God himself, rulers and sustainers of all that is. Being the pinnacle of God’s creation, they clung to that status and, indeed, became intoxicated with it.

We all do the same.

The result of this fall was that God cursed the serpent who deceived them (Gen. 3:14–15). He then cursed Eve, and thus all women, to suffer during childbirth (which childbirth, ironically, paved the way for the history of God’s unfolding plan of redemption) and to become profoundly alienated from her husband, especially through tedious power struggles in their relationship. Adam, of course, also receives these curses, along with every man related to him and who acts like him; there is indeed a cosmic significance attached to his sin (see, for example, Rom. 5:15–19). The earth, too, faced God’s judgment (Gen. 3:17–19):
You listened to your wife and ate the fruit which I told you not to eat. Because of what you have done, the ground will be under a curse. You will have to work hard all your life to make it produce enough food for you. It will produce weeds and thorns, and you will have to eat wild plants. You will have to work hard and sweat to make the soil produce anything, until you go back to the soil from which you were formed. You were made from soil, and you will become soil again.
And finally, they were both kicked out of Paradise (Gen. 3:23–24). God’s temple-garden had to be cleansed, protected—both acts that Adam failed to do. Upon seeing that old dragon he should’ve throttled it and wrestled it out of the garden. But in that crucial moment, he sat back, all lazy and careless like we men are wont to do.


11 October 2011

Kahnweiler's Boon

AS I MENTIONED in the last post, one painting in particular jumped out at me when I was last at the Institute. A little lie. Another one did too, but not as boldly. They're totally different from each other, though stylistically Chagall's White Crucifixion follows the trajectory of this one.

Picasso's Portrait of Daniel-Henry Kahnweiler (1910) was the first to grab my attention. Kahnweiler was an important person in Picasso's life, not least because as an art dealer (he's also an under-appreciated art historian) he championed Pablo's new, 'radical' style (Cubism) and thus worked tirelessly to promote his and other's (almost always those who had no audience or collectors) works in his gallery in Montparnasse.

23 September 2011

The Painter & the Painted

AS I LEARN MY WAY around Chicagoland, one spot has become a semi-regular stop—the Art Institute of Chicago.

The last time I was there, one painting in particular jumped out at me—Chagall's White Crucifixion (1938). There's a couple of elements in this painting that have kept me thinking about it:

The first is the juxtaposition of the central figure—Jesus on the cross—with the surrounding images of Jewish oppression (from all over: Nazi Germany, Lithuania, and communists in Russia). Jesus the suffering Jew is thus shown to be in solidarity with the suffering Jews of history.

Christ the Center

I FAILED TO POINT THIS OUT when it hit the podcast shelf back in August, so here's the link to Christ the Center's interview with me, Camden Bucey, and Jeff Waddington discussing Perspectives on the Sabbath.

As one commenter noted, "Doesn’t sound like you cleaned up the audio very much," to which Mr. Bucy replied, "You should hear the original recording." The moment provided some challenges, technology such as it is. But it was thoroughly enjoyable, and I hope you may find it the same.

08 August 2011

New Job, Cut Me Some Slack

I'll be around, but as I've just begun a new gig at Trinity International University (director of communications), things will be quiet here for a couple more weeks.

C.

 
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